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October 31, 2002

Day Eight

It happens sooner or later on every shoot.

The long hours, the pressure from production to finish the day and stay on time and on budget...people start to lose their patience, and they get cranky.

It happened today. We’re tired, and, we’re all trying to make a “bigger” movie than the budget will allow, so I think everyone is feeling the pressure, and cracks are beginning to show.

Fortunately, everyone seems to understand that we’re all cranky, and why we’re cranky, and we haven’t turned on each other, yet. It’s the time when “please” and “thank you” go a very long way to keep us all sane, and everyone seems to be aware of that.

It really says a lot about the cool people on this crew and in this cast, that even though we’re wiped out, and the production has set some very tough expectations for us (13 pages today!)we’re all still playing on the same team.

So even though we’re all in danger of reaching Donner Party status, the work hasn’t suffered, and everyone remains supportive of each other, which is cool. We’ve even managed to work some cannibal humor into the day to lighten the mood.

I like feeling like I’m on a team, and that I’m part of something much larger than myself. On days like today, that camaraderie is really tested. Fortunately, as far as I can tell, we’re passing the test.

The scenes today were mostly between me and Maureen, and our long personal history is adding this great extra dimension to our performances. We have this great trust in each other, and we’ve been allowed by the director to improvise a bit within the scenes, so they have this great natural, conversational quality which I hope translates into the final product.

On the way home, I pulled into my neighborhood, which is swarming with children and their parents, trick-or-treating. I drove slowly towards my house, smiling and waving at numerous Spider Men, Buzz Light Years, and a few vampires.

When I got to my house, I felt really sad...Nolan and Ryan had already carved their jack o lanterns, and they were out trick-or-treating...but my insanely cool wife hadn’t carved hers, yet...because she was waiting for me. As soon as they get back, the carving will begin.

Happy Halloween, everybody!

October 30, 2002

Day Seven

You’d think that, after working as an actor for 23 years with some pretty impressive people, I’d just stop feeling star struck, just take it in stride when I have a scene with someone who I really admire.

Of course, you’d be wrong.

Each time I have a scene with Isaac Hayes, I get this flutter in my belly, the same way I did when I had scenes with Patrick on TNG or Robin Williams in Flubber, or Ron Jeremy in Mr. Stitch. I catch myself between takes, mind wandering, thinking, “Oh man! This is so cool!”

We had a scene this morning, and this other actor, a brilliant man called John Reilly, is in the scene with us. John turns to Isaac, and says, “ I saw you on this awards show, and you were covered with FX smoke...what show was that?”

Isaac looks at him, and smiles, and replies, “You mean the Academy Awards?”

Maureen and I explode into laughter, and I say, “Oh, yeah. that awards show. Did anybody see it?”

John laughs too, and explains that Isaac is one of his idols, so he has seen most of his performances, and they’ve sort of blurred together across the years.

They talk about the performance, about how hard it was to see Isaac, and Isaac says, “Man, Billy spent the rest of the night talking about that!”

“Billy” is, of course, Billy Crystal.

When Isaac speaks of these hugely famous people he knows, he always refers to them by their first name, only, and he speaks of them the way you’d speak of Dan from Accounting, or Jenny the girl from upstairs. It’s very surreal.

The rest of the day is spent filming scenes with just me and Maureen. It’s long and at times it’s a bit arduous, but very satisfying.

There’s a scene which really needs some help from us, because in the rewrites, it’s drifted from its original meaning, and has gotten sort of muddled and a bit confused. So maureen and I spend a lot of time just improvising, staying true to our characters and keeping things simple, and we ultimately discover several very wonderful moments which add great depth and meaning to the story and our characters. We are very fortunate to have a director who trusts us, and to trust each other, so we can follow the little inspirations which occasionally pop up during a take, knowing that we’ll create something interesting and maybe even moving in the process.

I’m happy when the day is done. I feel very satisfied with what we’ve done, and proud of the work we’ve turned in.

We also got the word from the Big Tough Executive Producer Guy Man Dude, and the word was that he loves the work he is seeing, and that this is his favorite of all the productions he’s done for PAX.

Yesterday, I spoke of that seemingly endless waiting period when we don’t know if what we’ve done will translate to the screen, and today I had a thought: the wonderful sense of satisfaction I enjoyed today can’t ever be taken away from me, regardless of what happens with the final cut of the film. It is that feeling which compels me to create, whether it be as an actor, writer, or street-performing mime who is trapped in an ever-shrinking box.

That feeling is Mine(tm), and if the audience likes what we did, if everything comes together in just the right way and we end up with something memorable, well, that’s just a bonus.

October 29, 2002

Day Six

The alarm was brutal this morning, and I moved through the first half of the day on autopilot.

Well, that’s not entirely true. When I was on the set, my mind would wake up long enough for me to be present in the scene, from action to cut. Until after lunch, though, all the other times were spent in an exhausted haze.

I was so tired because I spent the evening yesterday with Anne and the boys, picking out punkins for Halloween.

I love Halloween more than any other holiday. I love the scary decorations, the spooky movies, and the costumes...oh, the costumes!

Anne is really skilled with the FX makeup, so we always end up as really horrible zombies, complete with gushing blood and spooky wounds...it’s hard to tell who loves it more: me or the kids.

I usually start decorating the house the last week of September, and by the 31st, the house is in full-on spook mode.

This year, though, between the Avon 3 Day and the movie, Anne and I haven’t had time to hang a single skeleton, or tape up a single mummy. Anne took the kids to pick out their makeup and costumes last week while I was on the set, so last night was my first chance to do anything “Halloweeny” with the kids. Even though I was exhausted from work, and I knew that I should have been learning lines and going to bed early, I wasn’t about to miss out on time with the family...and I felt really great about that choice. As recently as a year ago, I wouldn’t have stayed up to learn lines after they’d all gone to bed, and though I am positively wiped out, I don’t regret the decision at all.

Tomorrow I have 7 1/8 pages, and since we’re shooting out of order, I have to work hard to ensure that I track my character correctly across the story...I love that stuff because it’s a challenge, but it’s also one of those efforts that I won’t know the results of for months, until I see the movie. That’s a part of acting in places other than the stage which I’d forgotten about: we work really hard all day long, for days at a time, and we don’t really have anything to “show” for it, other than the occasional reassurance from the director, and the visceral feeling that we did something right.

Then it’s months of waiting, hoping that the composer, the editor, and the director bring to the screen what we thought we were making while we were on the set.

I only have to wait until the end of January to see this picture, and I don’t think I will be disappointed.

I had some challenging scenes today; some real emotional stuff, where my character has to contemplate some life-and-death choices...heavy stuff, and I was able to use my real physical exhaustion to inspire my character’s emotional exhaustion.

I also had some scenes with Isaac Hayes...and every time he spoke, I had to really focus, so I wouldn’t start singing, “suck on my chocolate salty balls” in my head.

Heh, see how it’s in your mind right now? That was me, all day long.

October 28, 2002

Day Five, and some Pimpin'

Today was a very routine day working on a film, and the only really interesting thing that happened wasn't even related to the movie!

There's a great show on NPR called "Marketplace," and one of the producers emailed me a few weeks ago, asking if I'd be interested in participating in a program about how child actors deal with the money and fame that comes with success.

I told her that I'd love to do it, and she asked me, quite charmingly, if I had heard of a program called "This American Life," which she also produces.

Heh. No, really. She asked me that.

So I geeked out, and we scheduled the interview for the tuesday following the conclusion of the Avon 3 Day. Trouble was, I booked the job on the movie while I was gone, and I wasn't going to be able to get into a studio. I thought that I was going to lose the opportunity, and we spent the last week or so emailing back and forth, trying to pull together some sort of plan...and we hit upon one over the weekend: she'd send an engineer out to the set with a DAT, and I'd call her. She'd sit in her own studio and record herself, I'd be recorded in my dressing room, and they'd put the two together later.

Isn't technology cool?

So today I did my interview, and it was really great...it went on and on, for close to three hours, broken up by my calls to the set to do my scenes. The engineer, a really nice and patient guy called "Skott" was at the set for nearly 6 hours, and never complained once.

So what's the cool thing, you ask? In the interview, I ended up telling her this story about my childhood...that she said has a very good chance of making it onto This American Life.

Holy.

Shit.

Talk about dreams coming true!!

Tomorrow I am in everything, so I'm off to learn pages of lines...but before I go, I want to pimp out my friend Sean.

Sean and his wife Caryn are opening a really amazing gallery in downtown Los Angeles this weekend, and I want to let everyone know about it. If you're in LA, or know people who are into the art scene here in town, please come over and check it out this weekend. You can "read more" to get the address and times.

I hope to see some WWDN readers there!

The big week is finally here. Please join us this Saturday, November 2nd
from 7-10pm for the Glen E. Friedman exhibition reception and for the grand
opening of the new gallery! There will be nearly forty photographs on
display (including new additions) along with laminated proof pages, books
and much more. All of his books will be available and Glen will be in
attendance to sign them and answer your questions.

Glen E. Friedman "Fuck You All"
An exhibition of photos from 1976-1995
November 2 - November 30, 2002
Reception - Saturday, November 2nd from 7-10pm

sixspace
549 West 23rd Street in downtown Los Angeles (between Figueroa and Flower
Streets just south of the Staples Center and north of USC...for complete
directions visit our website). We have a free parking lot next to our
building in addition to plenty of street parking.

October 26, 2002

Whoops

Uhm.

Yeah.

If you sent me an important email in the last three weeks, you may want to resend it.

I was trying to build a shell script to automatically get the nightly build of mozilla, and, uh...well, I managed to delete all my mail.

Serves me right for trying a new mailer (mozilla) without keeping my backups current. Back to Kmail for me.

I lose major geek points for this, don't I?

:/

Day Four

I can't believe that I am still awake and coherent.

It's almost 1am as I write this, and I've only been home for a little over an hour.

Yeah, we were supposed to wrap around 7, but we shot until 11.

Holy mother of the Jackson Five. It was a long farking day.

Usually, if it's getting later and later, they'll just push the material to another day, but I guess we lose this particular set today, so they had to finish all the pages, and we didn't get to leave until they did.

So today was a long day, but it was fun, and I did some nice work, I think.

In addition to the work, I also met the one and only Chef himself, Isaac Hayes.

I wrote about it earlier this morning:

CHEF!

When my alarm went off at 5AM today, it seemed like I hadn’t slept at all. I felt I had just turned off the light, and there was no way I was going to get up.

So I did that thing that we do when we’re exhausted...I did some quick math in my head, and figured out that if I ate breakfast from the caterer at work this morning, rather than cooking it myself before leaving, I could grab an extra 30 minutes of sleep.

So I reset it and fell back to sleep...and of course when it went off again, I felt like I hadn’t gotten any additional sleep at all. Matter of fact, I didn’t even feel awake until I was half-way to work.

I got to work at 7, went through makeup and hair, put on my wardrobe, and walked over to the caterer to get a breakfast burrito.

When I walked around the corner of the trailer, I saw him standing near the juices, talking with another actor...Isaac Hayes.

Dude! It’s Chef, standing right in front of the food!

I suppress an excited girlish squeal, and extend my hand, “Hi. I’m Wil,” I say.

“Oh, I know who you are! You’re the boy genius who made all those adults look stupid!” He says.

What? Am I still asleep? Did I just meet Isaac Hayes, and he told me knew who I was?

He continues, “I loved you on Star Trek, man. It’s really nice to meet you.”

I can’t believe that I’m keeping it together. I don’t even try to mask my enthusiasm, and tell him, “Jeeze, thank you. The admiration is mutual! I’m really excited to be working with you.”

We talk for a few more moments, but I can’t tell you what we said, because it was sinking in that I was standing here, in front of the catering truck, talking with Isaac Hayes, and he is excited to meet me!

After a moment, I tell him, “At my wedding, when my wife and I walked into the reception and were introduced to the assembled guests, we walked in to the theme from Shaft...”

He beams and says, “That’s cool! Thank you.”

He sort of half-bows, and he seems genuinely touched.

“...yeah,” I continue, “when I told her that you were working on this movie, she said I should tell you...so...there you go.”

I’m starting to feel like a full-on fanboy, so I decide now is a good time to STFU. Luckily, my breakfast is ready, so I excuse myself and head back to my dressing room to eat.

Of course, I’m so excited, it’s now cold, sitting on the desk next to me, because I had to write about this before I could eat.

I am such a dork.

October 24, 2002

Day Three

I learned something today: having no lines can be just as exhausting as talking until your throat is sore in every scene.

It's surprisingly hard to just sit there for hours, trying to focus on the other actors, react to what they are doing, and not get bored.

Oh man, is it easy to get bored...because of the lights, it's close to 85 degrees on the set, and the air is very still. We spend a lot of time on each scene, so we get to hear the same lines over and over again, and it's easy for the mind to wander and the eyelids to fall down.

Now I understand why Levar fell asleep on the bridge behind his VISOR so many times in the early years of TNG.

I didn't expect to feel wiped out when I got home, you know? I expected it to be a really easy day...but I am beat right now. To be honest, it feels really good.

The lack of dialogue did give me some free time during the day...I watched some Simpsons on DVD on the iBook, and played a few games on MacMAME.

My day started at 5AM, and we shot nearly nine pages, which is really, really, really a lot in films. When I was on Trek, we'd average about 6.5 pages per day, and when I was working on Mr. Stitch, I once managed something like 15 pages in one day.

So now that you know more about page count than you ever wanted, I can give up some details:


  • This project is a Movie Of The Week for the PAX network, and it will air at the end of January in 2003. When my friend Keith found out that it was on PAX, he teased me that I was in one of those stupid "Left Behind" piles of crap...but I assured him, and I can assure you, that it's actually a pretty cool story. =]

  • Included in the cast is an actor you may have heard of..."Chef" himself, Isaac Hayes! He plays a mysterious guy who give me this mysterious, ancient, powerful book. The story is about how I deal with it.

  • Also in the cast is my friend Richard Grieco. We've done three movies together before this one, and it's the first time he's not kicking my ass. I really like Richard. He's one of the sweetest guys who ever lived, he's very generous and funny...and it bugs me that he has this image as a real cheeze*wiz.

  • The actor who is playing my best friend in the movie is Maureen Flannigan. Mo and I have been friends since forever, and I absolutely adore her. I think that our personal history will cascade into our performances, and make the film that much deeper and richer. The cool thing is, the producers didn't know that we knew each other when they cast us.

Tomorrow I talk and talk and talk, so it will be the polar opposite of today. Should be interesting to contrast the two.

I'm having a really good time. It feels good to be on a set where people know what they're doing, and there aren't any incompetent a-holes with huge egos farking things up. I didn't realize how much I'd missed that.

Time to learn lines.

October 23, 2002

Boise? WTF is that?

Copuple of updates on the movie:

I'm having a really good time. This director is just awesome, the crew is friendly, professional, and all the actors I've worked with so far have been great.

There is this one strange thing, though...the movie isn't being called by it's title on the call sheet, or our signs to location, or the slate, or anything...theyr'e calling it "Boise," like it's a codename or something.

I wear lots of suits, so I walk around talking into my cuff, telling people "I'm on Project Boise," and looking mysterious.

Hey, without WiFi at work, I have to find ways to entertain myself, right?

Yesterday was Day One and it was a typical First Day On A Movie(tm). Most of the actors had gotten their material late Monday night, so they were having a tough time with the lines. Luckily for me, I had the studio email it to me as a .pdf, and I printed it out.

I shit you not, that laser printer paid for itself on Monday!

So I knew my lines, had worked out enough of the character to feel really comfortable living in his skin and stuff. Since we've all really hit the ground running, I'm being forced to trust my instincts and make quick and deliberate character choices, which is actually good for me, I think. If left to my own devices, I have a tendency to overthink things, and complicate the hell out of stuff. Since I don't have the ability to do that on this picture, it is a good test of my acting skills.

Speaking of my acting skills, I was paid a very nice compliment by the director late in the day yesterday. We were between scenes, and we were talking. I mentioned to him that I hadn't done any real acting jobs in over a year, since I'd been working primarily as a writer.

He looked at me, his face showing real surprise, and he said, "Wow! I would never have known. You're performance has been so wonderful, I thought you'd just come off of another movie, right into this one. You'd never know that you've taken a year off."

Shortly after that, the producer came over to me and told me how happy they all were that I'd been cast, and that he'd been watching me work. He told me that I was doing great things with the role, exactly what they'd wanted.

It felt good to be told that I was doing a great job, without it being followed by, "but we're going with another, bigger actor."


My character in this picture has suffered a terrible and tragic loss, so he is never too far from tears, covering his pain in various ways. He's ironic, he's angry, he's sarcastic, he is occasionally vulnerable...boy, it is grueling work.

At the end of the day yesterday, I was physically and emotionally exhausted.

Today was much easier. I was only in 2 scenes, and I was mostly reacting in them...but I was so tired from yesterday, I was having an insanely difficult time focusing and staying present. I'd forgotten just how tough it is to not get distracted and let my mind wander...it seems that in every spare moment I am thinking about the book, or how I'm going to write about the day when I get home.

The next two days are pretty much like today. I don't talk too much, but I'm there for each scene...Patrick Stewart called it "Face Acting."

I was able to break away from the set long enough today to call Screen Savers when they aired my segment. I haven't seen it, but Anne tells me I didn't look like a total dork...even though I was wearing what she calls "Your Croccodile hunter Shirt."

Yeah, there's nothing quite like gettin' dissed by your wife, you know?

So that's it. I'm bleary-eyed and having a hard time staying awake.

More tomorrow.

It's one more, isn't it?

Blatantly stolen from BBSpot, which should be okay because Brian is sort of a friend:

Reasons Steve from Dell Should be Fired 11. Michael Dell tired of hearing "Dude you're getting a... you!" 10. Addiction to canned air becoming a real problem. 9. Was seen near the HP headquarters wearing a cow costume. 8. Too many girls are buying computers. 7. More "computer savvy" Wil Wheaton close to signing a deal. 6. Consumers feel Steve talks too high tech. 5. Bidding war with The McLaughlin Group quickly reaching stratosphere. 4. Simon Cowell thinks his performance is complete rubbish. 3. His MENSA wrap parties get too out of hand. 2. Keanu Reeves threatened identity theft lawsuit. 1. Market research show dude market completely saturated.

October 22, 2002

Home Again

Anne and I are back from the AVON 3 Day.

Our feet are as sore as you'd think, Anne hyper-extended her knee, and I really messed up the arch ofmy right foot...but it was the most amazing experience I have ever had in my life. It was absolutely life-changing, and I can't wait to write all about it.

It will be several days before I can, though, because when I got home, I found out that I had been cast in a movie.

That's right.

Just when I decide that I'm not going to be an actor any more, I go and get cast in a movie.

As the lead.

=:o

I am number one on the call sheet, and everything!

I had my first day today, and I will work every day on the production, right up until my anniversary in November...so I fear that entries in the old WWDN Weblog will be shorter, more diary-like, some updates on the movie and stuff.

Right now, I am exhausted, and I have to go to sleep. More updated information about the film and the walk when I have some time.

Oh, I am going to be on Screen Savers on Wednesday. It should be a really funny segment, so check it out.

Unless you're not into funny tech stuff, and babes. In that case, you'd probably be better off watching Maisy.

Know what's weird? I had Chinese take out with the kids a few weeks ago, and my fortune said:

"All your hard work is about to pay off."

Crazy.

October 15, 2002

Houses In Motion

It's been almost a year since Aunt Val died.

I'm driving with my dad across the San Fernando Valley, on our way to Aunt Val's house. Though we were all promised that the house would remain in the family, it has been sold, and there are many things to be picked up and moved out. Thankfully, there has been precious little pettiness and bickering within the family about her things so far.

My dad has asked me to help him pick up a china cabinet which belonged to my grandmother, and is intended for my mother.

I wonder why he didn't ask my younger, stronger brother to help out, but I don't ask. I'm always happy when my dad asks me to do things with him, so I decide not to push my luck.

We ride mostly in silence, but not uncomfortably. I'm lost in thought, though it won't occur to me until later that this is the last time I'll make this drive. This drive that I've made since I was in a car seat. I'm thinking about what I could talk to my dad about: baseball? the kids? my family? work? We end up talking about them all, and the drive passes very quickly.

As we drive down Aunt Val's street, it hits me: this is it. I've been asked to help my dad move furniture, but I'm really here to say goodbye to this house that's been part of my life since I was a child.

A tremendous sadness washes over me as we back into the driveway.

I exchange polite hellos with Aunt Val's daughter, who is responsible for the selling of the house, and walk inside.

It's the first time I've been there since her death, and the house feels cold and empty. It's more than just the furniture being gone. It's her warmth and love that are missing.

Most of the furniture has been moved out, but certain things remain untouched: her bookcase, filled to overflowing with pictures of the family and children's artwork...some of it mine...still dominates tne side of the living room, the recliners where my great grandparents spent most of the last years of their lives opposite. I remember sitting in my Papa's chair, while Aunt Val sat next to me, watching Love Boat and Fantasy Island, thrilled that I was staying up past my bedtime, watching shows intended for grownups, putting one over on my parents who would often drop my siblings and me off for the weekend.

I loved those weekends. When we spent time with Aunt Val we were loved. We were the center of the
Universe, and though she was well into her 70s, she would play with us, walk with us to get snacks,
let us stay up late. It was wonderful.

In the living room, the table where Aunt Val would put the artificial tree at Christmas is gone, though it's footprints still mark the carpet. In my mind, I put it back, fill the space beneath it with gifts, warm the air with the laughter and love of the entire family gathered around it, singing songs and sipping cider.

I blink and the room is empty again. The warm light of memory is replaced with the harsh sunlight of
the fading afternoon. Aunt Val's dog Missy is nosing at my hand, asking to go outside.

I lead her toward the patio doors. Aunt Val's dining room table, where the adults would sit at reunions and holiday meals, is still there, covered in paperwork and trash. It's a little obscene.

When I was little, Aunt Val would always sit at the card table --the kid's table-- with us, and when I was fourteen or so I was moved to the "adult's table." The next year I begged to be granted a spot
with her at the kid's table again.

Missy is impatient. She urges me through the kitchen. I look at the cabinet where my great grandparents kept their Sugar Corn Pops cereal. Regardless of the time of day my brother and sister
and I would arrive at her house, we were always hungry for cereal, and Aunt Val was always happy to
oblige. This cabinet, which I couldn't even reach, this cabinet which held so many wonders is now empty, and at my eye level. I am sad that my own children will never get to look up at it's closed door, and proclaim themselves starving with a hunger that can only be cured by a trip to the Honeycomb hideout.

The kitchen counters are littered with dishes and glasses. Notes written in Aunt Val's handwriting still cling to the refrigerator, surrounded by my cousin Josh's schoolwork.

They say that when a house is passed over by a tornado, it can do strange things to the things inside. They say that sometimes a whole room can be destroyed, and the table will still be set, candlesticks standing, untouched by the violence of the storm. As I look at the refrigerator, unchanged in nearly a year, I wonder why some things have been left alone while others have been
completely dismantled. It's like a half-hearted attempt has been made to honor her memory.

I walk onto the patio. Missy runs after a bird, and disappears around the corner of the house, leaving me alone.

I stand on the patio, knowing that it will be for the last time. I see the backyard through the eyes of a child, a teenager, an adult, a parent. I look at Aunt Val's pool, and remember when I was so small, riding around it on a big wheel seemed to take all day. I remember playing with my cool Trash Compactor Monster in the shallow end, before I was big enough to brave the deep end and it's mysteries, known only to the Big Cousins. I remember being unable to ever successfully complete a
flip off the diving board, and reflexively rub my lower back.

I look at the slide, and the sobs which have been threatening since I walked into the house begin.

In summer of last year, I'd taken Ryan and Nolan to spend the day with Aunt Val. The three of us sat
with her on the patio, eating hot dogs she'd grilled for us, drinking punch she'd made. The kids talked eagerly with her about their plans for the rest of the summer and the upcoming school year. I watched her listen to them, the same way she'd listened to me say the same things twenty years earlier, happy that they were getting to share in her unconditional love the way I had.

We went swimming. Nolan and Ryan both doing cannonballs and flips, Aunt Val always giving them an approving, "Good for you, kiddo!" after each trick.

God, I can hear her voice as I write this.

When they grew tired of tricks, they took to the slide. They took turns for a few minutes, going head-first, on their backs, on their knees.

Ryan was sitting at the top of the slide, waiting for Nolan to get out of the landing area, when he screamed and raced into the water. I immediately knew something was wrong, and rushed to the water's edge to meet him.

I got him out, and saw that he'd been stung by a wasp.

We patched him up with baking soda and some Tylenol, and prepared to spend the rest of the afternoon inside, watching TV.

Aunt Val wouldn't hear any of that. She picked up a broom, and some Raid, and marched out to the angry nest of wasps, which we now knew was just beneath the upper edge of the slide. The wasps were pretty pissed, and beginning to swarm, and I couldn't stop my 84 year old great aunt from wiping them out, so the kids could continue to play.

I'm looking at the slide, remembering that day, remembering how scared I was that she'd get stung and would go into shock, remembering how much fun the kids had with her.

I remembered that day, and recalled a thought I had back then, watching her battle with those wasps: Aunt Val isn't going to be with us forever. Some day I'm going to stand here, and she'll be gone, and I'll cry.

So I cry. I miss her. I miss her. I miss her. I miss her. It's not fair that she died. It's not fair at all. I miss her. She was in perfect health one day, and the next she was gone. It's not fair, and I miss her, and I have to say goodbye to this house, and that's not fair either.

The finality of her loss takes hold, and refuses to let go. I cry until my sides hurt and my throat is dry. My cheeks are soaked, my nose is running. It's fitting that as I bid farewell to the house and person who played such an important part in my childhood, I sob like a child.

After awhile, I pull myself together, take a hard look at the backyard, run my hand along the slide, and say goodbye out loud.

I walk back into the house, and I help my dad load the china cabinet into the car. It is heavy and cuts into my hands as I lift it. I'm nervous about dropping it.

Aunt Val's daughter comes out of the house. I want to scream at her for selling off this enormous part of my childhood, but I don't. I continue tying down the cabinet, tell her goodbye, and get into the car.

We pull out of the driveway, and drive down the street for the last time.

I speak effusively with my dad on the drive home. I talk about the kids. I talk about work. I talk about the Dodgers and I ask lots of questions about when I was a kid. I want to cherish this time with him, make the most of it. I don't want to waste any of the time we have together.

When we get home with the china cabinet, my mom asks me how it was being at Aunt Val's house.

"Tough," I tell her.

She understands.

We unload the china cabinet. My dad hugs me tightly and thanks me for helping with him. I tell them
that I love them, and I drive home, alone and silent.

It's been a year since Aunt Val died.

Truth is, it could be a day, or a decade. She is gone, and I will always miss her.

October 14, 2002

Marching off to war.

I don't support the resolution that congress just passed. I don't support the Bush administration's obsession with Oil^H^H^HIraq, and I think it gives way too much power to the president.

So I wrote my senators (my US Rep is a hardline Republican so I didn't bother) and I asked them to please oppose the vote.

Boxer voted no, Feinstein voted yes.

I was very upset with Feinstein's yes vote...but after reading this from her, I am absolutely apoplectic.

"I serve as the senior senator from California, representing 35 million people. That is a formidable task. People have weighed in by the tens of thousands. If I were just to cast a representative vote based on those who have voiced their opinions with my office -- and with no other factors -- I would have to vote against this resolution

Yeah.

If she'd, oh, respected the wishes of her constituents, and *gasp* represented> us, she'd have to vote no.

If she'd listened to those pesky voters who put her into office so that she'd carry out our wishes in this silly representative republic we have here.

But there are these mysterious "other factors" that she speaks of, right? Maybe she knows something that we don't, because she refers to herself as

"...a member of the Intelligence Committee, as someone who has read and discussed and studied the history of Iraq...

Well, that's pretty compelling stuff, isn't it? I know that after a year of nebulous warnings I've certainly learned to be afraid of my own shadow and turn to my big government to protect me...maybe she's onto something there, and we shouldn't mobilze the entire state to throw her out for failing to cast a representative vote based on those who have voiced their opinions with her office.

But there's this other guy, you see, who ]co-chairs the same committee, and who is privy to the same information. His name is Senator Bob Graham, and he's a Florida Democrat who disagrees with Feinstein:

Iraq is ''the wrong target'' in the war on terrorism, Graham said in an impassioned speech moments before the Senate early Friday gave President Bush sweeping powers to attack Iraq. The Senate overwhelmingly approved the resolution, 77-23, with Graham among the ``nays.''

''I predict we will live to regret this day,'' declared Graham, who is co-chairman of the Senate Intelligence Committee and privy to a gamut of classified information on global terrorism. Graham said it would be ''irresponsible'' to go to war with Iraq before confronting more imminent terrorist threats to the United States.

Surely he can't be serious! Isn't he privy to the same information that Feinstein has? Maybe he's paying more attention to the report from the CIA:

Then there is the awkward matter of the CIA report on Iraq released last week, which concluded that U.N. inspections actually worked before they were halted in 1998, leaving Saddam's military and his chemical-weapons program weaker than they were in the 1980s.

In other words, the head of American intelligence and a top military man don't think Saddam is planning terrorist attacks against the U.S. now, but might if he was convinced we were coming in after his head. And the CIA says that Saddam's military machine poses less of a threat to the U.S. than it did a decade ago.

Boy, it sure seems that anyone who doesn't have something to gain politically is telling us all that the war against Iraq is at best unnecessary, and at worst A Very Bad Idea(tm).

Dianne Feinstein may not be "against us" by the Bush administration's definition, but she's certainly against the wishes of her constituents, and is therefore unfit to represent us in the future.

I'll be thinking about this in November 2006.
----
Sources:
http://www.salon.com/news/feature/2002/10/11/senate_iraq/print.html
http://www.miami.com/mld/miami/4266351.htm
http://www.salon.com/news/col/scheer/2002/10/09/cia/print.html
http://www.salon.com/politics/feature/2002/10/10/intelligence/print.html

October 9, 2002

If you're not ready, holler "Aye!"

I am standing in the kitchen making dinner, listening through the open window to Ryan and Nolan as they play whiffle ball in our front yard.. They're actually playing nicely together, not being overly competitive.

Nolan stands over a patch of dirt, in front of a bush, which represents home plate, while Ryan hurls the ball towards him.

Ryan always tries to throw the ball too hard, and usually has trouble finding the strike zone, so Nolan just sits there, letting the ball bounce off of the house behind him.

Nolan comes in for a drink of water, and without even thinking I tell him, "It sounds like you guys are having a great time out there. Tell you what: you keep up this good attitude, and I'll come out and play with you."

Nolan does a little hop, and says, "COOL!" before he runs back outside. I hear him tell Ryan, "Wil says he'll come play with us!"

They're both excited to play with me...that's cool. I've been really busy these past few weeks, finishing up my book, so I haven't been able to play with the kids very much. They're getting to that age where they want to hang out one minute, and the next minute I'm so incredibly uncool they can't even stand to be in the same room as me. Hearing the genuine excitement in their voices makes my heart swell.

Dinner is really easy tonight: It's a curried tofu with rice dish. I put the rice into the rice cooker, cut the tofu into cubes and put them in the pan. I dump a bunch of curry over them, and I race out to play.

I'm thirty years old and a parent, and I'm racing through my "chores" to go play outside.

When I get there, one of Ryan's friends (who is also called Ryan) has come over to play, so we immediately separate into teams: Nolan and me against the Ryans.

Nolan steps back up to the plate, and Ryan proceeds to walk him. He then walks me, then Nolan again, and we quickly load the bases with ghost runners. The sun is rapidly sinking into the mountains to the west, and the ball is getting hard to see, so I suggest that we call the game so the Ryans can have a few at-bats. Nolan agrees, and we send our ghost runners back down to Triple-A as we head
into the field and take our positions on the grass, and in the street.

Nolan pitches a few balls to Ryan, but it's really too dark to play any longer. Like every other time we've had to call a game on account of darkness, I resolve to install lights over our front lawn so we can play at night, local building codes and my wife's desire for a normal suburban house be damned.

We've been having fun, though, and like the only child who finally has someone to play with, I don't want to go back inside; back to being a grown up...so I suggest that we play hide and seek.

They all excitedly agree, and I'm It.

We quickly define the boundaries, and "Safe." I close my eyes and count to one hundred by fives.

As I shut my eyes and begging to count, the world slows, and I hear my own voice, twenty-one years distant, calling out the same numbers. I'm nine years-old, head buried in my arms as I stand at the light pole on our street which was "Safe," Boston plays on my parent's Techniques turntable, while my dad cooks fish on the Webber Kettle in the back yard. I can smell the smoke as it drifts over the house and hangs in our yard, in the still summer evening.

5...10...15...20...25...30...

I'm ten years-old, and I run like crazy, trying to evade Joey Carnes. It is summer, hot and smoggy. My lungs burn with each breath.

35...40...45...50...55...60...

I'm eleven years-old, and I can hear the stomp, stomp, stomp of my feet hitting the ground as I look for a hiding place. It's springtime, and the grass is cool and damp beneath me.

65...70...75...80...85...90...

I'm twelve years-old, hiding behind the side gate, crouched down, my arm just barely touching the arm of the girl I have a crush on as we hide together. While we listen to the kid counting, I try and fail to screw up the courage to hold her hand. In middle school, she'll break my heart over and over again.

95...100! Ready or not, here I come!

I open my eyes, and I'm back on my street. The kids are well-hidden. Lost in my memories, I didn't think to listen for their footfalls, and I have no idea where they may be.

I walk slowly around a hedge, and see Ryan begin to run across the street, towards "Safe." I run at him, hoping to cut him off, but he's too fast for me. During my pursuit of him, his friend has made it to "Safe," leaving only Nolan undiscovered.

I walk down our street, towards our neighbor's house, and see Nolan racing across the front yard next door. I give chase, and we both run straight through the heavy spray of several Rain Bird sprinkles. Nolan runs very, very fast, but ends up going Out Of Bounds. We return to "Safe," laughing, wiping the water from our faces.

Nolan is It, and begins to count. I run across the street, hiding behind a tree. When I was a kid, I never hid behind trees, preferring cars and fences, with their clever ways to spot an approaching "It"...but I know that if I stand still in the October darkness, he'll never see me. I'm wearing a black
"Ataris" T-shirt and long olive shorts...I'm practically invisible.

Nolan finishes his count, and the chase is on. It is several tries before he catches someone, but his attitude never sours. We are all having a great time playing together, being kids.

Finally, I am just too wiped out to play any more, and I head back inside. Anne asks me to drive Ryan's friend home, and on the way to the car, Ryan's friend tells him, "Your house is so much fun! You're really lucky that your Step-dad plays with you."

Ryan agrees, but warns him that we don't always play like that...Ryan tells him that I've been writing a lot, so I spend a lot of time at my desk. It's the first time in months that I've played with them like that, he says.

He's right. Most of the time these days, I have to be a grown up, and I can't play very much.

But last night, I got to be a kid again, if only for an hour or so, and while I appreciated the sentiment from Ryan's friend, he didn't quite have it right.

Yeah, there was a lucky guy out there playing...but it wasn't Ryan.

October 7, 2002

101010

And now, for something completely different:

Several readers have told me that TrekWeb has linked to this group wedding picture of all of us from Nemesis.

I'm the guy who looks like a complete dork.

Looking at that picture, I can clearly see how happy I am --to the point of goofiness-- to be there with all of them. It was a great time.

Here is Star Trek Dot Com's write up of the rest of the TNG con, including a brief mention of the Saturday night program, where I read some stuff from WWDN, to a very wonderful, warm, appreciative crowd.

When I saw Brent backstage Sunday at the con, he asked me how I felt about being cut. I told him what I wrote here, and he was surprised and happy that Rick called me himself. He told me how upset they all were that I was cut, and he asked me if I'd be at the screening. I told him that I would, and he says to me, "You know, Wil, you should still be involved in all the press events." He gets this impish glint in his eye...the same glint that I lived for when I was sitting next to him on the bridge, the same impish glint that I knew was going to end up getting me in trouble when he made me crack up, and he continues, "I think you should sit there, answer as many questions as you can, even if you don't know the answers. I'll see you in Europe. It'll be fun."

Before I could play the "yes, and..." improv game with him, he was whisked away to go on stage, but not before he says, "Hey, you've got my number, right?" I tell him that I do. "Use it when you need it, man. It's great to see you."

It's great to see me?!

Yahtzee.

October 3, 2002

MoMove

Star Trek Dot Com has a review of the TNG con. They had some very nice things to say about my talk and stuff. :-)

Fark also has this great Photoshop thingy going on, that's really funny. Turns out it's time for me to get a new shirt.

October 1, 2002

Hey

Hey, I've got a commentary without much to say...

It's finally autumn here in Pasadena. After weeks of relentlessly hot, stifling weather, it's has been cool and raining on and off since Saturday.

When I was a kid, I was a total California Sun Worshipper. I lived for the summer, took it as a personal affront when we went to the beach and it was foggy. I would intentionally scorch the soles of my feet, toughening them up so I could walk slowly, cooly, across the blistering sand at Zuma beach, impressing (in my own mind, at least) all those bikini-clad hotties who I was too geeky to talk to.

These days, however, I absolutely love Autumn and Winter. I love the flannel sheets, evenings building and enjoying fires in the fireplace and on my neighbor's lawn, the way the smell of fireplaces hangs in the air all day long, running through piles of leaves while gardeners chase us with rakes.

I love stepping out of the shower into an obscuring mist, and writing "A&W" on the bathroom mirror. I love hot apple cider while we watch The Simpsons together on the couch, wrapped in a woolen blanket.

I love walking out into a clear but crisp day, shivering in the shade but basking in the few spots of warmth the sun delivers through the trees on my street.

Though I feel sad for Demeter when she has to return Persephone to Hades, I am grateful each year for pomegranates in the Underworld.